Denny Allnutt
gained her BA (Visual Arts) from Alexander Mackie CAE/City Art Institute,
Sydney (now CoFA) in 1983. She ran her own graphic design business
for 19 years while returning to professional art practice in the early
1990s, working in painting, assemblage, collage, photography, drawing
and mixed media. She has taught adult classes in photography, design
and composition, and given private drawing tuition, as well as studying
ceramics, glass and printmaking. Denny exhibited in Sydney 1994-2001,
before moving to Canberra in 2002. In 2003 she held a solo exhibition
at the Tuggeranong Art Centre, initiated and co-ordinated the Canberra
Fires Art Project and curated Pyroglyphics, a group
exhibition of works by 20 artists responding to Canberra's January
2003 fires. In 2004 she settled in Gundagai and opened the Green Dog
Gallery. Her work is represented in private collections in Sydney,
Canberra, Melbourne, Adelaide and regional NSW.
Jenny Ashby (Elliott)
grew up in Gundagai and has now settled in Wagga Wagga NSW. She gained
her BA (Fine Arts) from Charles Sturt University in 2003, winning
several awards for outstanding student performance. Jenny now teaches
printmaking at Riverina Institute of TAFE, as well as private teaching,
and produces her own works in printmaking, drawing, painting and textiles.
Her continuing professional development includes attendance at a George
Baldessin print workshop and George Gittoes drawing workshop as well
as workshops in textiles, basketry and Japanese bookbinding. She has
exhibited in Sydney and the Riverina, and her work is represented
in the George Baldessin Print Collection, Charles Sturt University
Art Collection and many private collections in Australia and Japan.
Anne Beileiter
is an emerging artist, born in Gundagai, who began painting in 1999.
She uses acrylic paints, ink and mixed media on canvas and paper,
drawing inspiration for her unique visual vocabulary from her everyday
life and her dreams. She has also explored sculpture in Hebel, soapstone,
and plaster-and-wire. Anne completed Certificate II Visual Arts at
Riverina Institute of TAFE in 2004 and is studying for Certificate
III in 2005. She has exhibited regularly in the Visual Arts Section
of the Gundagai Show, winning First & Third 2005, First 2004,
First & Third 2003, Second 2002 and First, Second and Section
Champion in 2001.
anne louise bourke
trained in film-making in Melbourne and also has a BA and MA in Communications.
Her videos have screened at the Melbourne Film Festival and on European
television. Her first solo show, Give thanks for the blessings
of the earth, explored spiritual and environmental themes
with representations of wildflowers from the region. It presented
prints, paintings and video at Galeria del Centro, Boorowa NSW in
2002. Anne has also shown watercolours with the South Gippsland watercolour
artists, Victoria. In 2005 she is working on original prints at Megalo
Access Arts, Canberra.
Jim Brooke
is a Gundagai musician and sculptor working in local stone and timbers.
He has a profound respect for Aboriginal culture and history after
spending many years leading tour groups in the Kimberley region of
Western Australia, where his ongoing contacts with Aboriginal people
have inspired some of his stone-carving.
Robyn Cerretti
has been a practising artist in Brunswick, Melbourne since 1990,
working in painting, digital photography, video and sound. She has
a BA Fine Art from RMIT, and was a shortlisted finalist in 2004 for
the Siemens RMIT Fine Art Scholarship. Robyn has been involved in
public art events, including several Fringe Festivals. In addition
to numerous group shows in Melbourne and one in Sydney, her solo shows
include re collection, 2004, Counihan Gallery Brunswick
(Vic) and Roadtrip, 2003, First Site Gallery Melbourne.
Robyn's work was also exhibited in the Wyndham Contemporary Art Prize
at Werribee Cultural Centre in 2002.
Anne Clifford
worked for many years in advertising as a layout artist as well as
owning and operating a photographic lab and studio. She has a Diploma
of Applied Photographic Technology, and often uses her photographic
skills in the creation of her artwork. Anne has been painting with
acrylics, mixed media and oil glazes for many years, working with
artists including Gray Smith, Anton Dabro and Ron Hartree. She has
exhibited in Sydney and around NSW, and won Highly Commended in the
2003 Dobell Art Festival, Contemporary Section. Anne undertakes ongoing
professional learning through workshops with artists including Cherry
Hood, Jan Vincent and Peter Griffen. Represented in private collections
in Melbourne, Sydney, London & Paris, she now resides in Tumut
NSW.
Jill Clingan
worked in the nursing profession in Sydney, Papua New Guinea and
Canberra for over 30 years. A visual artist since childhood, winning
prizes and publishing drawings in early years, Jill returned to professional
art practice in the 1980s, as well as obtaining her BA in Linguistics
and Anthropology from ANU in the 1990s. Most of her work has been
in printmaking and oil pastel. Her book Sketch Diary from Greece
was published in 1987. Her professional development spans studies
in sheet metalwork, multiplate colour etching, watercolour, jewellery,
Japanese wood block and pastel. She also teaches pastel through University
of the Third Age in Canberra. Recent prizes include the 2005 and 2004
Pastel Prizes, Cootamundra Wattle Time Art Exhibition; shared 2005
Pastel Prize, Cooma Art Exhibition; Pastel Second Prize, Harden-Murrumburrah
Arts Council 2005 Exhibition, and the 2002 Pastel Prize, Perisher
Blue Art Awards. Jill's work is represented in the National Library
of Australia, the Kodaly Institute of Music, Hungary, and in many
private collections in Australia and overseas.
Annette Copland
is a Coffs Harbour-based ceramic artist. She began studying ceramics
in Darwin in the 1970s, commencing an Associate Diploma of Ceramics
in 1976, and learning with potters and visiting craftspeople including
Joy Barwick, Vince McGrath, Terry Davies and Marea Gazzard. Graduating
from the Darwin Institute of Technology in 1981, she became the first
pottery tutor at the NT Government's new Arts Complex, and conducted
weekend workshops at Katherine, Humpty Doo and across Arnhem Land
to Gove and Groote Eylandt. She was invited to tutor in ceramics at
DIT from 1983-5, taking students on clay digs around the Territory
and to beach pit firings. After moving to Coffs Harbour in 1988 she
and her husband built the 27 cubic foot gas kiln which she still uses.
Annette also continues Raku and pit firings and teaches private students.
Her work is widely represented in private collections and in NSW and
Queensland galleries.
Anne Davidson
began painting in 1978 at adult education classes, and over the next
11 years undertook various tuition with a range of artists and teachers,
developing her own style with oil and acrylic on paper and canvas.
She paints from imagination, mostly finding inspiration from her observation
of nature. Anne's extensive exhibiting history includes having work
hung in the 2001 and 2000 Gosford Art Prize, the 1999, 1997 and 1996
Singleton Art Prize, the 1994 and 1993 Mosman Art Prize, and the 2001,
1994 and 1993 Royal Easter Show Sydney, among many others. Her works
are held in commercial collections in Sydney and in private collections
in the UK, India, Brisbane, Surfer's Paradise and Sydney.
Loretta Devjak
was born in Sydney of Italian and Yugoslav parents. After her schooling
she pursued a number of interests in the art field. She moved to Wagga
Wagga NSW in 1990. After years in a design career that included graphic
and interior work, both commercial and domestic, Loretta decided to
pursue her passion for fine arts. In 2004 she completed a Diploma
in Fine Arts at the Riverina Institute of TAFE and began an Advanced
Diploma of Fine Arts, majoring in painting and sculpture. Her work
has been twice preselected for the TAFE NSW Art Prize. Loretta cites
her European heritage, life experiences and keen interest in politics,
literature and philosophy as her drive to communicate through her
artwork. She has exhibited in group shows in Wagga Wagga, and her
work is held in private collections in Sydney, Canberra, Hong Kong
and Wagga.
Pam Fein
studied still life and life drawing at North Sydney Technical College
and life drawing, portraiture, still life, pastels and oils at the
Australian National University School of Art. She has also attended
the Sturt Summer School and other summer schools in printmaking, etching,
monoprints, collagraphs, drypoint, watercolour, oils, portraiture,
inks, linocuts and acrylics. Her primary interests include works in
oils and non-toxic methods of printmaking using intaglio, collagraph
and solar plates. Pam is a founding member of the Tin Shed Art Group
in Canberra ACT, with whom she has exhibited regularly since 1998.
She has also presented her work in a solo exhibition in Baltimore
USA. Her works hang in private collections in Australia, the USA,
Canada, Hungary, the United Kingdom and Serbia.
Marie Graham
was born in the UK of Irish parents. She spent three years teaching
in Trinidad, before settling for 41 years in Papua New Guinea. She
then lived in Wee Jasper for eight years and now resides in Canberra.
Marie has continually supported the community as an artist with large
scale décor and installations for a range of local festivals,
celebrations and exhibitions. Her current medium is mainly woven tapestry
which she designs and interprets using a variety of textiles and local
materials. She is a member of Canberra's Spinners & Weavers Group,
with whom she exhibits regularly. Her work is held in private collections
in Sydney, Canberra, Wee Jasper and the NSW Central Coast.
Frank Grech and Lorraine Turel
moved to Gundagai in 2003 to settle in a weatherboard house on part
of what was once the Old Darbalara Homestead. Restoring the gardens
inspired them to start creating garden sculptures from old corrugated
iron, which they source locally. Lorraine completed a welding course
at Riverina Institute of TAFE in 2004, and together they make a range
of rustic Australian animals and garden furniture from recycled metals.
Marlene Greenwood
has a background in art education, but more recently has followed
her interest in textile arts, most especially in ecclesiastic hangings
and in miniature silk paintings with embroidery. A large part of her
current work is in fashion design, particularly fantasy outfits. The
design process, and in particular an intense interest in colour and
texture, are the basis of her work. Marlene's textile work will often
incorporate collage and piecework in mixed media. She is a member
of the Belconnen Artists' Network and lives and exhibits in Canberra.
Donna Hartwig
is a Wagga Wagga-based painter and sculptor who works with abstraction
and texture. Her work has been directly influenced by a thirst for
adventure and extensive travel in Europe, Britain, America, Asia,
Japan, Africa, New Zealand and Australia. Donna initially pursued
her interest in the arts through a career in special events, but after
completing a contract with the NSW Ministry of the Arts in 2000, she
decided to undertake formal arts education, and graduated from the
Riverina Institute of TAFE in 2004 with a Diploma and Advanced Diploma
of Fine Arts. In addition to various group exhibitions she held a
solo show at the Wagga Wagga Art Gallery in 2005. Donna's work is
held in private collections in Sydney, Melbourne, Brisbane, Quirindi
and Wagga Wagga. She is currently painting and sculpting full-time.
Peter Hey
was born in Coogee, Sydney. Early travels to Europe and the UK left
him highly impressed with museum art, especially at the Louvre in
Paris. After a career which included banking, civil contracting, horticulture,
tea-tree plantation, timber milling and metallurgy, he has taken up
art full-time. He also has extensive experience in woodturning and
sculpture, particularly with Australian ironbarks. Peter began bronze
casting in 2003 and marble sculpture in 2005, and now works in these
media as well as in timber and bronze resin.
Ian Houssenloge
has exhibited and worked in southern regional NSW as a professional
artist since 1999, completing a Grad. Dip. in Social Ecology, University
of Western Sydney in 2000. He worked in the building industry as a
ceramic tiler and design consultant for over 16 years, and uses buiding
materials and everyday objects in many of his sculptures, in addition
to stone, timber and metal. Ian has exhibited in solo and group shows
in Canberra, Queanbeyan, Cowra, Jindabyne Sculpture by the Lake, Orange,
Bungendore, Canowindra and Gundagai, and his sculpture Salmon Rusty
is on permanent display at the Novotel Resort, Lake Crackenback. Another
sculpture, Legionnaires, a 6-metre high steel robotic
figure, can be seen on a property beside the Monaro Highway at Royalla
NSW, and features in the book The Road South by Ruth
McFadden.
http://www.enink.com
Ken Hutchinson
is an established artist from the Central West of NSW who works primarily
in the sculptural media of wood and stone. He has exhibited in Sydney,
Canberra and Orange and has twice been selected for the East Coast
Sculpture Prize in Ballina, winning Highly Commended in 2004. Ken
curated the Western Area Sculptors Exhibition at Cowra in 2004, and
has directed environmental and community art events including Sculpture
on the Mount, Lachlan Valley 2002. In 2005 Ken was selected to participate
in the National Limestone Carving Symposium in Mount Gambier, along
with several international artists, and will also be Artist in Residence
at Hill End from August to September.
Ron Kirkland
grew up in Sydney. He studied art at the National Art School, East
Sydney in 1953, then undertook a BA and additional teacher training
at Sydney University, graduating in 1960. He taught at country schools
in Warren, Dubbo, Cowra and in 1971 moved to Cootamundra NSW. While
Head Teacher of English and History at Cootamundra High School he
also studied art at Cootamundra TAFE from 1987-90, and began exhibiting
in 1987. Most of his work is in oils, but he also paints in watercolour
and pen-and-wash. Among many prizes Ron has won the Cootamundra Shire
Award, the Kruger Prize for best picture in the Harden Murrumburrah
Arts Council Show, and his work has been hung at the Royal Easter
Show, Sydney and in the Bald Archy.
Louise Klein
was born in Sydney and studied art from an early age in the studio
of her aunt Betty Morgan, a well-known Sydney portraitist and art
teacher, who worked in close association with Dattilo Rubbo. After
brief studies in commercial art Louise returned to fine art, completing
commissions including many portraits of thoroughbred horses which
hang in Sydney homes. She worked on the Gold Coast for 14 years, where
many of her paintings and murals can be found, before moving to Gundagai
in 2001, where she teaches privately. In recent years she has entered
paintings in the Archibald, Doug Moran and Bald Archy competitions,
winning the Bald Archy satirical portrait prize in 2003 with her painting
of Robbie and Gai Waterhouse. Her professional development includes
attendance at art camps in the Blue Mountains, Bathurst, Grafton Artfest
and the Julian Ashton Art School, Sydney.
Isha Knill
was born in Zimbabwe in 1970. In her early 20s she began experimenting
with her artistic flair, combining her love of paint, colour and texture
with the earthy elements in the weave and design of fabrics to successfully
create a unique style, on which she founded an interior design business
in Harare, including a retail outlet selling her Isha range of fabrics
and soft furnishings, and decorating a number of houses throughout
Zimbabwe. Isha and her family migrated to Australia in 2004, settling
in Deniliquin NSW. Inspired by her 'new world', she began to create
paintings incorporating the rustic feel and touch of her work in fabric.
She won First Prize in the Modern Art Section, Deniliquin Rotary Easter
Art Show 2005, and has recently exhibited at galleries in Griffith
NSW, Finley NSW, the Waverley Art Prize (Sydney), and Pantechnicon
Gallery Daylesford Victoria.
isha@gotalk.net.au
Barbara Leigh
was born in Griffith NSW of Wiradjuri Aboriginal descent and grew
up in Gundagai. She has attended Riverina Institute of TAFE, Tumut
Campus, from 1993, studying computers, sewing, Aboriginal Arts and
Cultural Practice, and Visual Arts. Barbara works primarily in painting
and also explores drawing and sculpture. She received the Koori Achievement
Award for highest achiever in a vocational course, and Outstanding
Graduate Award for Visual Arts Certificate III in 2004. In 2005 her
painting Falling Leaves won First Prize in the Open Section, Cootamundra
Wattle Time Art Exhibition.
William J Leigh
was born in Gundagai of Wiradjuri Aboriginal descent. He has attended
Riverina Institute of TAFE, Tumut Campus, studying printmaking, sculpture
and painting, and has also worked in pyrography.
Richard Lyle
arrived in Australia from Wales in 1965. He grew up on Sydney's Northern
Beaches and settled in Gundagai in 2001, where he works as a policeman.
He began creating art in the late 1990s, inspired by the works of
other artists, and makes 'junk sculpture' from recycled materials
including metal and timber.
Alan McClure
spent nine years in London after Army service in WWII, furthering
his drawing and painting skills. Returning to Brisbane in 1956 he
worked as staff artist for the Courier Mail, then in Sydney
for the Sydney Morning Herald, Sun Herald and People
magazine, also creating comic strips which ran in Woman's Day,
the Australian Financial Review and the London Observer.
During all this time Alan continued painting and drawing. Deciding
he wanted to work full-time as a painter and illustrator, he and his
family moved to Cootamundra in 1975, where he taught at TAFE until
1989. Alan exhibits regularly at the Royal Easter Show Sydney, and
many regional shows, and his numerous prizes include the 2004 and
1994 Harden Murrumburrah Arts Council Kruger Award (Best of Show);
2003 Best of Show, Henry Lawson Festival Grenfell; 1995 Bald Archy;
and 1984 Open Award, Cowra Art Festival. Alan's work is represented
in many private collections both in Australia and overseas, and he
has illustrated five books, most recently Frank Daniel's Chucking
Rocks.
Hazel McIntyre
trained in ceramics at Cootamundra TAFE with Judi Elliot from 1968.
She established her own kiln at her home in Coolac NSW, where she
combined her ceramic skills with lapidary, as well as breeding sheep
and training working dogs with her husband, and spinning wool. At
present Hazel does most of her pottery on the wheel, but does some
hand-building, using earthenware and stoneware clays. Her knowledge
of minerals acquired through lapidary has been of use to her both
in ceramic glazing and in the dyeing of wool, and some of her ceramic
works incoporate Australian semi-precious stones.
Jane Mitchell
attended Art College in Salisbury, England for a while after leaving
school, then put art on hold while she pursued other careers, travelled
and raised a family. In 2002 she started painting and drawing again,
initially creating detailed pen and watercolour drawings before undertaking
studies in pastels. Developing a love for this medium, Jane attended
workshops with well-known Sydney and South Coast pastel artists and
diversified into oils, studying Impressionist landscape painting with
Colley Whisson. Specialising in landscapes and portraits, she has
exhibited successfully in and around the Canberra region, and in 2004
was the winner of the Queanbeyan Leagues Club Works on Paper acquisitive
prize. Jane also runs her own full time picture framing business in
Canberra and is an active member of both the Artist Society of Canberra
and the Queanbeyan Artist Society.
Anthony Murphy
is an engineer who has been working with metal for 45 years and runs
his own firm, A T Murphy Engineering, in Wagga Wagga NSW. Over several
years he has begun designing and creating a range of metal sculptures
and garden furniture, inspired by the Australian bush and the 'Aussie
backyard'.
Freda Nicholls
grew up in Perth WA where she explored art from an early age in the
studios of artists Robert Juniper and George Haynes. Discovering photography
in high school, she was awarded a Sydney Morning Herald photographic
commendation for her work in 1983. Freda moved to Gundagai when she
married a farmer, and now also works as a freelance writer and photographer
for publications including Outback and Hoofs&Horns. Living
on a farm with her husband and children has made her acutely aware
of the importance of the seasons, and of being good custodians of
the land, plants and animals. She has recently begun exploring digital
photography and digital image manipulation, applied to her photographs
of country life.
Meagan Osgood
is an emerging artist from Tumut NSW. She studied Visual Arts at
Riverina Institute of TAFE in 2004, working in painting, drawing,
mixed media and collage.
Jay Segall
was born and grew up in England. He served in the British Army and
later in the Australian Army as an artillery officer. He held an executive
position with French oil company Total before setting up and managing
his own retail fuel business. Having dabbled in painting for many
years, Jay took up serious art studies with Australian landscape artists
Dora and James Jackson in 1965. He developed a style in the post-Heidelberg
tradition of the Melbourne Gallery. Since the late 1960s he has won
a number of awards, including Highly Commended in the 1988 Willoughby
Bicentennial Art Competition, exhibited widely and received many commissions
from collectors of Australian traditional landscape painting. Jay
settled in Gundagai in 1994, and his work is now inspired primarily
by its landscape together with those of the Snowy Mountains and Murrumbidgee
River valley. He is a member of the Tumut Art Society, exhibits and
wins prizes in local and regional Shows, and his paintings hang in
several of Gundagai's historic buildings.
Wendy Shanley
is a Canberra-based artist who works extensively with resin and mixed
media sculpture, painting and assemblage. She exhibited across Victoria
and NSW in group and solo exhibitions of photography from 1983 to
1987 and has exhibited with other artistic genres since 2000 in the
ACT and southern NSW. Wendy studied photography through the Australian
Photographic Society in 1983-4, printmaking with Chris Graham in 1988,
welding with the Canberra Institute of TAFE in 2001 and completed
a basketry course under Virginia Kaiser at Sturt Gallery in January
2005. Her work reflects her interest in human, social and political
conditions but she has also begun displaying works centred on Australia's
geography, flora and fauna.
Barb Smith
has a background in science and journalism, but since completing
a diploma in Photomedia at the ANU Institute of the Arts in 1992 she
has been a fulltime artist and writer. Barb has had six solo shows
in Melbourne and Canberra, and has contributed images to more than
100 group exhibitions in the ACT, Victoria, NSW, Queensland and the
UK. Her art work is based on the use of camera optics to modify, distort
or create different perceptions of reality. She is a member of the
Multicultural MultiFocus group of photographers and a foundation member
of the Australian Photographic Society's Contemporary Group. Barb
has curated two group exhibitions: Cuban Kaleidoscope,
shown in Canberra, Melbourne, Sydney and Wollongong (1993-5), and
Mirage and Metaphor for the Australian Photographic
Society in Canberra (2000). Her images and her articles on the visual
arts have appeared in a variety of Australian publications including
The Canberra Times, Professional Photography in Australasia, Panorama
and Image. She has also had several short stories published.
Tim Spellman
was born in Cooma NSW and worked for many years in landscaping and
horticulture before undertaking a BA Visual Arts (sculpture honours)
at the Australian National University, graduating in 2000. He has
since worked as Technical Officer for the Ceramics and Core Studies
workshops at ANU School of Art, as well as completing public commissions
including installations in Belconnen Library forecourt (ACT), National
Institute of the Arts School of Music (ACT) and Chatswood Park, Sydney.
Tim works primarily in sculpture, drawing and acrylic painting. His
awards include a 2000 MAAS Emerging Artist Support Scheme Award of
Excellence in Sculpture and a 2001 Australia Council Emerging Artist
Grant. He has exhibited widely in the ACT and southern NSW from the
late 1990s, and also participated in the 1999 Taipei 9th Biennial
Print and Drawing Exhibition, Taiwan.
Maria Stephenson
is an artist from Wagga Wagga NSW who works with recyled materials,
fencing wire and found objects. She is self-taught and draws inspiration
from the Australian vernacular, domestic objects and gardens, and
farm animals. Maria has exhibited with Kath Powdley in Wagga Wagga
and at local exhibitions and events, and her works have sold widely
to private collectors in NSW, Victoria and Queensland.
Denise Sutherland
was born in Melbourne and has been involved in art since her childhood.
She studied Biological Sciences at the Australian National University
and also has a degree in Graphic Design from Reid CIT, Canberra. In
1993 she began creating 'recycled art'. Working in papier mâché,
assemblage and collage, she loves giving discarded materials a new
life in art. Denise has exhibited and taught in both the US and Australia,
and has been widely commissioned, including for a series of collages
to illustrate a national Centrelink publication. She was the recipient
of an artsACT Emerging Artist Grant in 2003. In 2005 she is teaching
Collage and Papier Mâché at the Woden Brain Gym, Canberra.
http://sutherland-studios.com.au
Do Thanh Hai
was born in 1959 in Thanh Hoa province in central Vietnam. He studied
painting and graduated from Hanoi Art College in 1980. His works in
oil on canvas and gouache on paper explore his chosen subjects: the
ancient streets of Hanoi, the Vietnamese rural landscape and lifestyle,
and abstract themes. His paintings are brought to Australia by Art
of Vietnam, Canberra, and are also exhibited and sold in France and
Italy.
Dianne Thompson
was born in Western Australia but has lived most of her life in the
ACT. Her relationship with bushlands and the natural environment began
as a child, and continued through the medium of photography, extended
through voluntary work in NSW and ACT National Parks. Dianne has a
deep commitment to the protection of iconic Australian bush heritage,
from alpine mountain huts to the grand pastoral buildings of outback
NSW. In 2003, having experienced the devastating Canberra fires, she
published her first book, Ring of Fire 2003, in which she documented
the aftermath in the ACT and alpine parks. She also won three photographic
competitions: the Commonwealth Superannuation Scheme Photo of the
Year; Woden Community Council Arts Competition; and NSW National Parks
Association Photographic Competition. Further photographic prizes
followed in 2004. An image from her recent exhibition Kosciuszko
National Park Recovery After the Fires is held in the NSW
Parliamentary Collection.
www.bajabout.com
Ross Tranter
is a scientific instrument maker working at the ANU Research School
of Astronomy and Astrophysics, Mount Stromlo, Canberra. Ross has worked
all his life in research environments, and made his first sculpture
in 2003 from stainless steel, incorporating burnt timber and fused
telescope lens glass salvaged from the firestorm destruction of Mount
Stromlo Observatory. He has since gone on to create works combining
a range of materials, including metals, timber and concrete, which
have been exhibited in Canberra. Ross is self-taught and applies his
precision technical skills to the making of his sculptures.
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